In Cannon’s The Custodians, a subject describes drifting upward from her bed as if gravity no longer applied. The scene feels like a lucid dream: soft light, muffled sound, and a sense of unreality. She rises through the ceiling without resistance.
Above her is a waiting craft filled with diffuse illumination. Figures surround her with calm precision, communicating without words. The transition into the craft feels like shifting between layers of a dream.
Cannon interprets this floating ascent as a hybrid state where consciousness moves into symbolic encounter space, blending dream perception and abduction imagery.
