After discovering confirmation of the DIAL phenomenon in the “2-dot DIAL“, I immediately looked to the Phoenix Lights as a precedent for the body-mark geometry I analyzed. I can’t tell you exactly how I made the connection, it felt like the geometry reminded me of something and I needed to know what it was. It was like trying to remember something that you forgot you forgot.
Concurrent documentation of missing time
I had previously looked into Dr. Lynne Kitei’s photographs of orbs related to the Phoenix Lights because of my inquiry into missing time. I found her work by looking for concurrent documentation of missing time episodes. Many people experience NHI/UAP-associated missing time (at least thousands), but few people offer photographic or video documentation of their encounters. Some people offer corroborating witnesses, like how my brother and I share memories of a missing time event on a road trip. Some people offer physical evidence like body marks or physical residue of craft.
I know of only two people who have a missing time episode and concurrent documentation of a UAP. The first person I know of is Dan Berg who experienced 45 minutes of missing time during a CE-5/HICE event coordinated by Ricardo Gonzoles in the Atacama desert. The sighting was predicted through automatic writing a year earlier and several members of their network put forward precognitive intuitions regarding Dan’s missing time event. I encountered him serendipitously by following an intuition that arose directly after saying a prayer to be of service to others through my dream/hypnosis practice.
Dr. Lynee Kitei’s photographs
Dr. Kitie took several photographs of orbs, then later discovered through the analysis of those photos that she had missing time. She believed only minutes passed while hours went by between shots.
These two analysis pages demonstrates the geometric qualities of the orb formations in her photographs. By setting them within the Vesica Pisces and performing bisection or golden sections of the line, we can see that they exhibit the same geometric qualities of the DIAL body-mark phenomenon and may be interpreted using the same geometric tools and themes.
The 3 orb photograph expresses the geometry very clearly, although I haven’t analyzed the size of the circle or the flattened halo of the orbs (I just looked at size along the major horizontal line). The analysis reveals bisection, abstract symmetry, and golden section, as well as the idiosyncratic displacement of the orbs from centering on intersection points of the geometry. I consider this image as an archetypal expression of the Phoenix Lights geometry, much in the same way I consider the “2-dot DIAL” to be an abstract expression of the phenomenon.
The photograph with 7 orbs reveals geometric coherence between the sets, which does involve angles (something I need to learn more on before commenting). I have analyzed this and similar formations and I am confident they can be constructed using the same simple ruler-and-compass techniques. At the moment of writing this, I am at a loss for how to orient the displaced formations within a single circle that is as elegant as the Vesica Pisces and a single line.
Tom King’s Geometry
There is no more pure expression of geometric intuition than Tom King’s famous Phoenix Lights video where he exclaims “there’s geometry in there!”. Geometry is essentially intuitive, embodied, and imaginative.
This image shows the Euclidean constructive analysis of the Phoenix Lights as filmed by Tom King. His stabilized footage of the event, and the overlaying of multiple frames from various times, demonstrates that the orbs did not move relative to one another and, presumably, the ground. The analysis of this frame equally applies to all the videos.
The main formation of 4 dots clearly express the bisection/golden-section symmetry that is characteristic of this geometric pattern. The other two dots may be placed using the similar techniques, but, because of my lack of recent training in trigonometry and angles, I am not sure the significance. The placement of bottom dot is determined by a perpendicular line to the main formation and the idiosyncratic displacement of the dot up from the circle drawn determined by the length of the 4-dot segment. The placement of the leftmost dot is determined by the intersection of a circle with a radius in golden ratio to the 4-dot line and a parallel line to the main line that cuts the perpendicular line in the golden ratio.
While Tom officially supports the flare narrative, he has offered several videos on his website that are similar to the geometry of the Phoenix Lights (I have analyzed several videos and concur they express the geometric pattern). In his own words:
This is the video I recorded on March 13, 1997 of the Phoenix Lights. For the first couple of years I believed what’s seen in this video is a UFO. Especially the first months right after the sighting took place. MUFON said it was a UFO, so did Village Labs, the Air Force said they know nothing about it. So over the coming months the flare explanation became the likely reason why these objects are in the sky. By 1999 I was convinced since we don’t see anything on the four videos of the 10 PM object doing anything flares can’t do. Then the simplest answer is they were likely military flares.
Now after watching Charnell’s video. I don’t know anymore, I just told a TV show a few weeks ago. “I’m 99.9% certain what I recorded that night were flares”.
Now? I just can’t say that anymore. This grouping looks like it’s a thing’. I see it in other videos. A group of 4 objects, then you have 1 object that lingers off to the left of the group.
https://ufovideo.com/site/news.php?extend.69
The fact that Tom is identifying the pattern across the world is an example of a heightened geometric intuition. It just makes sense to me that the person who filmed the clearest example of UAP geometry in recorded history can recognize the pattern across the decades and the world. Tom is the only person in the world, that I know of, to identify this pattern through intuition and recognition. There are others who have explored the geometry like Jimmy Blanchette and his UAP analysis, analyzed it like Mark Carlotto and his planetary SETI analysis, or described it like Chris Bledsoe in his direction of the Discovery channel TV producer’s recreation of his missing time event. Tom is actively tracking the pattern across UAP sightings and has recognized the geometry as a significant pattern.
This image presents my geometric analysis of two videos that Tom identified as expressive of the same pattern as the Phoenix Lights. Both are clearly similar in the placement of their dots at the bisection and golden section points, the ratio of the dots to the lines, and the curious displacement from the intersection points. The left analysis contains an orb that is out of line, but may express a meaningful angle that is reminiscent of other experiencers’ footage of the Lights over Phoenix.
Steven Blonder’s Faces
Steven Blonder experienced the Phoenix Lights with Tom King. Similarly, he embodied geometric intuition regarding the lights that he expressed through his book The Oracle of the Phoenix, which is available on his website here: https://www.oracleofthephoenix.com/. Steven’s recognition of the sacred geometry of the Lights inspired him to examine the terrain. He saw faces in the terrain over which the Lights were filmed, sort of like you might see faces in clouds. While it is a subjective experience, I also see figures in the terrain.
Regardless of the interpretation, the fact that Steven finds meaning in the pareidolic like exploration of the terrain and seeing faces is particularly interesting to me and suggests that there may be an association with faces. Early in my exploration, I encountered very similar geometry in recording of anomalous software defined radio visualizations. These visualizations produced images that seemed like faces, but also dots and dashes that aligned to the bisection/golden-section patterning.
The geometric pattern I am exploring may be associated with faces that require imagination to see. The DIAL experiencers have a face and they also dream of ET faces. I have discerned the pattern in petroglyphs in which faces are present, as well as renaissance art that also includes faces (the smiling sun the Celestial Phenomenon over Nuremburg).
